I have held a lifelong interest in
art and embroidery. When I was moving towards retirement I decided to make
space for my hobbies again.
I started studying botanical
illustration in 2010 at an evening class . The detailed work appealed to the patient side
of my personality and also resonated with the gardener in me. I felt inspired to paint plants in my garden. I also attended courses at West Dean college
and workshops run by the National Trust. In
the beginning I was keen to try varied approaches.
I also took classes with a local artist where I learnt to work with acrylics. I found I wanted to’ break out’ after time
spent working in detail.
However eventually I felt I was
pulling myself in different directions and that my love was to use a botanical
approach, even if occasionally I let go with a looser approach.
During this time, I had also taken
up embroidery which had a similarly painstaking attention to detail. I began using my paintings as embroidery
designs , thus combining hobbies, and have used some as designs for my Royal School of Needlework Certificate and Diploma course.
I have exhibited paintings at the
Society of Floral Painters where I am an associate member; I have also
exhibited at the Association of Sussex Artists, the Southwater Art Club, Storrington Museum and
Kirdford Community shop Art Wall. I
have participated in Horsham Open Studios 2015, 2017 and Brighton Open Houses 2016. My embroidery has been exhibited at Edexcel London and at Hampton Court Palace,
My interest in embroidery started from a young age, having been brought up in the fifties when The Woman's Weekly was a feature of our lives. Sewing was both a home pastime and part of the school syllabus. I remember binka canvas pieces, cross stitch table clothes, dressmaking and learning basic embroidery stitches. I have a vivid memory of embroidering a budgerigar from one of those blue iron on transfers. I think I made it very grubby and managed to make a hole from unpicking it. I was obviously undeterred and at junior school gained a highly commended award in a local competition, for a small tablecloth in red, with white embroidered motifs all around it. I still have that tablecloth and it comes out at Christmas!
My interest in embroidery started from a young age, having been brought up in the fifties when The Woman's Weekly was a feature of our lives. Sewing was both a home pastime and part of the school syllabus. I remember binka canvas pieces, cross stitch table clothes, dressmaking and learning basic embroidery stitches. I have a vivid memory of embroidering a budgerigar from one of those blue iron on transfers. I think I made it very grubby and managed to make a hole from unpicking it. I was obviously undeterred and at junior school gained a highly commended award in a local competition, for a small tablecloth in red, with white embroidered motifs all around it. I still have that tablecloth and it comes out at Christmas!
During my career as a primary school teacher I was lucky to have
the freedom to focus on creativity and incorporate embroidery into the
curriculum, something that is more challenging theses days. I attended some inspiring creative courses and would take
children's drawing and transfer them to fabric for embroidery at our art and
sewing clubs. Alongside this I continued to sew for pleasure doing tapestry, counted
cross stitch and embroidery kits, but nothing original. I still have some of
these.
I won a prize in the Dereham in Bloom event, for a herb embroidery stitched
on fine linen showing a cross section of the plants above and below ground. The
family had birth and wedding samplers and cross stitched Christmas and special
occasion cards. And my finale was a Millennium sampler which I finally completed in 2010!
My revelation came as I took a part time step towards retirement.
I treated myself to a weekend break about the Tudors and visited Hampton
Court Palace. I picked up a leaflet about the RSN, attended a day course
a few weeks later and visited the tutor at Parham the following day for an
exhibition . There I met people from local embroiderers' guilds and the
inspiration set me on a new path. I joined the embroiderers' Guild and
attended workshops learning a whole new range of techniques and I continue to
go to day and weekend courses at the RSN. During this time I felt the
need for some more structured teaching and eventually once fully retired
decided to invest some of my savings into attending the RSN Certificate.
This opened a whole new world to me which has led on to studying for the Diploma and using these techniques to experiment with other projects. I am now able to use techniques to interpret my paintings in stitch or to paint on fabric to enhance my embroideries
Profits from items that people offer to purchase support charity
mostly currently I am working to support children in a poor community in Nicaragua that I have visited and where I am returning to help them.
See my charity blog, The Forgotten Children of the Land of Lakes and Volcanoes
https://2newhorizons4ometepe.blogspot.co.uk/
See my charity blog, The Forgotten Children of the Land of Lakes and Volcanoes
https://2newhorizons4ometepe.blogspot.co.uk/
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